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When Rojas began making art, elements of these formative folklores and landscapes emerged in her work. Summers, on the other hand, were lush, humid, and alive with fireflies, snakes, and thunderstorms. This imaginative atmosphere was reinforced by the surrounding Ohio landscape, where winters were cold and sparse but dotted with red cardinals and geometric painted barn quilts, almost incandescent against gray skies. Both parents also made music, gravitating towards Peruvian and Mexican folk songs and American country ballads, in which powerful emotions are reduced, like long-simmering sauces, into pared-down lyrics and chords.
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Her father told Peruvian fables, full of magical realism and animism, passed down from his family. Rojas’s mother, a teacher, brought home scores of illustrated books in which the stories “were reduced to their core essences in a really beautiful, lyrical, poetic way,” Rojas remembered. Her American mother and Peruvian father each brought unique approaches to the tales they told their daughter. Rojas was raised in southern Ohio by a family of storytellers. The latter will give her a solo show in the spring of 2023. After working with Deitch Projects and Kavi Gupta Gallery at the beginning of her career, Rojas is now represented by Jessica Silverman Gallery in San Francisco and Andrew Kreps Gallery in New York. “There’s been no real shift in my intentions of making work,” she explained, “but over time, painting more and more, you learn new languages.” The art world has gradually rewarded Rojas for these efforts. While Rojas’s work has indeed matured over her career, these qualities have remained welcome constants-the essence of her practice. The artist creates a rich, painterly language that layers bold expanses of color, hypnotic geometric arrangements, emotionally complex figures, and storytelling that marries magical realist fables with contemporary experience. exhibition, which brings together the full range of the painter’s recent work-from narrative and figurative canvases to floating abstractions (all paintings were made this year). Nods to this magical in-between are everywhere in Rojas’s L.A. “I’ve always been searching for that balance, and the magic is somewhere in the middle.” “I think my work has always teetered between chaos and the opposite of chaos. Rojas, who is now 45 (a detail intimately noted in the signature at the bottom of her paintings), has been making work that harmonizes polar opposites-the good and the bad, joy and grief, hope and fear-for nearly 30 years. I guess that holding on, though, is the hope.” “You’re at the end of a road, on the edge of a cliff, at the end of the world.…Everything is holding on for dear life.
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Ready to hang canvas wall art prints with 3cm kiln-dried timber frame and mounting hook.Top grade cotton/poly blend 360 GSM canvas.
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